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HIGH LIVE - live reports and photo galleries
HELLOWEEN in Finland, November 2005
venue: Kaapelitehdas, Helsinki, Finland
date: November 26, 2005

venue: Pakkahoune Hall, Tampere, Finland
date: November 28, 2005

Сет-лист:

  1. Intro
  2. King For A 1000 Years
  3. Eagle Fly Free
  4. Hell Was Made In Heaven
  5. Keeper Of The Seven Keys
  6. A Tale That Wasn't Right
  7. Dani/Markus drum solo
  8. Occasion Avenue
  9. Mr. Torture
  10. If I Could Fly
  11. Sascha/Dani guitar solo
  12. Power
  13. Future World
  14. The Invisible Man
  15. Mrs. God
  16. I Want Out
  17. Dr. Stein


It's not a week yet since I returned from the Finnish concerts of Helloween. And now sitting in front of the clear computer screen, I feel the same confusion as I did two months ago writing about the new album of Helloween. The fact is that sometimes the words of any language are too weak, especially if they are about creative or live work of such an outstanding band as this one. So, there are just a few thoughts concerning The Keeper who comes (a)live again. Because the truth is that I can't be impartial enough to write a usual journalist review and I don't know why should I. To be honest, after working as a photographer right under the stage twice within this tour, very close to the Show, I'm nearly in the same state of mind as a true fan. And maybe I love live music in general for the very moments like this, when the power of the band covers you all over and over and over again...

Also there is one exciting thing beyond a show but a few hours before it. It is said in Russia that if you wanna know the whole truth about any woman you should explore her bathroom. :)) I think, if you wanna know something about a band's work you should look at least at its sound-check. Thus, on 26th of November afternoon I was in the big Kaapelitehdas hall (capacity about 3.000, ten minutes by taxi from the city center). The venue was already full of Sascha Gerstner's guitar heavy sounds. A bit later Markus Grosskopf, Dani Loeble and Michael Weikath appeared on the stage as well.

The importance of the moment was in the air. You know, the Finnish gigs were scheduled at the very beginning of The Legacy tour. The weeks of intensive rehearsals and only a few Eastern Europe dates were left behind. The set-list is quite complicated. There are old and new songs. Three of them are long complex epic ones. The band uses a lot of stage, light and previously recorded sound effects (for example, the keyboard parts). Everything is to be joined with the live sound. So, it seemed to me that it should be a time of technical difficulties, disorder, diffidence… But nothing at all went wrong, at least from the outsider's point of view. Or rather, it was obvious that the band worked really hard but without any irritability and needless fuss.

Mostly, the band worked at the fresh songs during sound-check - A King For A 1000 Years, Occasion Avenue, The Invisible Man... During this closed-for-public part one can be impressed so much by the accuracy and the easy creative atmosphere inside the band. In fact, Helloween is on the rise. Everybody is at his place. Now I understand what Michael Weikath meant in our interview one and a half year ago, when he told us that there's no single person who runs the band and "everybody is concerned about what's going on". A kinda social idea ;)) It looks just like Sascha's been playing in the band since its founding. The same with the freshman Dani Loeble who has taken the show-man duties, in addition to his main drumming job.

Actually, sometimes it's even difficult to say who is the front-man. The stage performance is well thought-out. Now the audience plays with Andi in a "guess-what-we-drink" game, now it watches the spectacular guitar duels of Weikath-Gerstner or Weikath's artistic playing … In Tampere he really drove his side of the crowd crazy, jumping on the box standing in front of the stage to the right. Sometimes people can laugh at the comic attempts of Marcus to over-play Dani during drum solo... or Dani's attacks on Sascha with a toy-guitar in the drummer's hands (guitar solo game). Finally, Markus breaks down his small drum kit, and Dani in his turn rushes away from the stage - beaten but resilient. Hey, he's good at his place and he really does, for example, that fantastic job in the middle of Occasion Avenue live as well as he's done it on the recording. So, people have not only the metal gig but the comedy show at the same time.

The audience in the Helsinki venue was rather well heated-up but quite polite (there were about 2.500 metalheads on that snowy evening) But if the Helsinki show was great enough, then Tampere gig a couple of days later was just perfect. Pakkahoune hall is a bit smaller (the capacity is about 1.500 with 1.000 metalheads at the gig), more compact and has better sound conditions than Helsinki venue. The communication between the band and the audience was closer and hotter. While Helsinki metropolitans warmed up to the second and third songs of the set, the people at Pakkahoune went ape from the very first chords. And perhaps the band have done their best performance within this tour there…

I'd like to mention that the current Helloween shows lose no action because of the long songs in the set. It's no big surprise. For example, The King For A 1000 Years sounds like several great songs united under one name. It's even more powerful live in comparison with CD. It's like all the best of Helloween put together. It's the "visiting card" of the gig to come. There are fast and slow parts, exciting guitar solos, heavy riffs, amazing vocals... Do I need to mention that another complicated epic, classical Keeper Of The Seven Keys is even more easily accepted? We have already had a chance to appreciate its living version during the previous tour.

Naturally, the lion's share of 2005/2006 set consisted of the "keeperish" songs - the old and the new ones. "Darkrideish" Mr. Torture is good in the middle of the gig, from my impressions it sounds close to live version of its set-predecessor - The Legacy epic Occasion Avenue. Avenue loses a bit of its filigreecity but has got more energetic, even thrash metal sound. However, the fans get no chance to get tired with nearly nu-metal riffs because after Mr. Torture the slow sing-along If I Could Fly begins. Nowadays the band plays also another great classical lyrical song - A Tale That Wasn't Right, which maybe sounds even better with Andi Deris' voice.

Nevertheless, most of The Legacy tour songs are for hands and hair activities. Mrs. God sounds more lively and funny in comparison with CD. Hell Was Made In Heaven is a very good heavy and rhytmical choice from Rabbit. Power is power, for almost ten years, another "a must" live song. But now it is without the traditional game with audience. The game is on with Future World - classical live Helloween trick in a new style. I don't wanna to describe, it has to be listened to.

The old keeperish "live-killers" are performed really perfectly and they have got the best enthusiastic sing-along reception, everybody knows the lyrics by heart. Eagle Fly Free - lively and romantic at once, everlasting I Want Out and surely the triumphant final of the gig - Dr. Stein. It was a kinda shock for me when I read in some interview with the band not long ago that at first this song was planned just for b-side. Now it's really impossible to imagine Helloween without Dr. Stein. Play it a million times and it still sounds fresh and new. Thus, Dr. Stein drives the gig to the boiling-point... and then the stage-light dies out and the band says good-bye to their fans to the sounds of Light The Universe.

One can just feel sorry that everything has come to its end. But the impressions are so good and positive that involuntary tears don't find their way out. So, the band rushes on at full speed to another city, to another country to make swedish, german, french, spanish etc people feel good... One can just envy them for having such a noble and rewarding job. Because such a strong feeling of happiness that I've caught from the stage, from the people around me and from the inside can hardly be found anywhere else. Thus, Helloween proves its reputation of one of the best live bands again and again. The Keeper's new journey has just begun. And I can just wish everybody reading this to wait his arrival to his/her city. But if your place isn't in the road-map of the current tour I can only advise to take a trip to the closest place with Helloween gig coming. It's "a must" thing to see how the sounds you've already heard "bottled" in these 2CDs сome alive before your eyes…

Author: Master of the Gigs






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