![]() |
||||||||||||||||||||||||||||||||||||||||||||||||
M    I    D    N    I    G    H    T        S    U    N l o g o t y p e b y F r e d e r i c k
|
||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||
![]()
|
venue: Kaapelitehdas, Helsinki, Finland
date: November 26, 2005 venue: Pakkahoune Hall, Tampere, Finland date: November 28, 2005
The importance of the moment was in the air. You know, the Finnish gigs were scheduled at the very beginning of The Legacy tour. The weeks of intensive rehearsals and only a few Eastern Europe dates were left behind. The set-list is quite complicated. There are old and new songs. Three of them are long complex epic ones. The band uses a lot of stage, light and previously recorded sound effects (for example, the keyboard parts). Everything is to be joined with the live sound. So, it seemed to me that it should be a time of technical difficulties, disorder, diffidence… But nothing at all went wrong, at least from the outsider's point of view. Or rather, it was obvious that the band worked really hard but without any irritability and needless fuss.
Actually, sometimes it's even difficult to say who is the front-man. The stage performance is well thought-out. Now the audience plays with Andi in a "guess-what-we-drink" game, now it watches the spectacular guitar duels of Weikath-Gerstner or Weikath's artistic playing … In Tampere he really drove his side of the crowd crazy, jumping on the box standing in front of the stage to the right. Sometimes people can laugh at the comic attempts of Marcus to over-play Dani during drum solo... or Dani's attacks on Sascha with a toy-guitar in the drummer's hands (guitar solo game). Finally, Markus breaks down his small drum kit, and Dani in his turn rushes away from the stage - beaten but resilient. Hey, he's good at his place and he really does, for example, that fantastic job in the middle of Occasion Avenue live as well as he's done it on the recording. So, people have not only the metal gig but the comedy show at the same time. The audience in the Helsinki venue was rather well heated-up but quite polite (there were about 2.500 metalheads on that snowy evening) But if the Helsinki show was great enough, then Tampere gig a couple of days later was just perfect. Pakkahoune hall is a bit smaller (the capacity is about 1.500 with 1.000 metalheads at the gig), more compact and has better sound conditions than Helsinki venue. The communication between the band and the audience was closer and hotter. While Helsinki metropolitans warmed up to the second and third songs of the set, the people at Pakkahoune went ape from the very first chords. And perhaps the band have done their best performance within this tour there… I'd like to mention that the current Helloween shows lose no action because of the long songs in the set. It's no big surprise. For example, The King For A 1000 Years sounds like several great songs united under one name. It's even more powerful live in comparison with CD. It's like all the best of Helloween put together. It's the "visiting card" of the gig to come. There are fast and slow parts, exciting guitar solos, heavy riffs, amazing vocals... Do I need to mention that another complicated epic, classical Keeper Of The Seven Keys is even more easily accepted? We have already had a chance to appreciate its living version during the previous tour.
Nevertheless, most of The Legacy tour songs are for hands and hair activities. Mrs. God sounds more lively and funny in comparison with CD. Hell Was Made In Heaven is a very good heavy and rhytmical choice from Rabbit. Power is power, for almost ten years, another "a must" live song. But now it is without the traditional game with audience. The game is on with Future World - classical live Helloween trick in a new style. I don't wanna to describe, it has to be listened to.
One can just feel sorry that everything has come to its end. But the impressions are so good and positive that involuntary tears don't find their way out. So, the band rushes on at full speed to another city, to another country to make swedish, german, french, spanish etc people feel good... One can just envy them for having such a noble and rewarding job. Because such a strong feeling of happiness that I've caught from the stage, from the people around me and from the inside can hardly be found anywhere else. Thus, Helloween proves its reputation of one of the best live bands again and again. The Keeper's new journey has just begun. And I can just wish everybody reading this to wait his arrival to his/her city. But if your place isn't in the road-map of the current tour I can only advise to take a trip to the closest place with Helloween gig coming. It's "a must" thing to see how the sounds you've already heard "bottled" in these 2CDs сome alive before your eyes…
|
|||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||
© MMI Helloween.ru editors: Alex, Dead Moroz, BacR, Pied Piper [ site development, support, content ] © MMI Frederick Moulaert [ logotype author ] |